Mick Moloney & Eugene O'Donnell   •   Uncommon Bonds

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  • Uncommon Bonds
    • 1984 - Green Linnet SIF 1053 LP (USA)
  • Side One
    1. St. Brendan's Fair Isle
    2. The Road to Dunmore
    3. The Bow Legged Tailor/The Galway Jig/April Fool/O'Lochlainn's
    4. Miss Fogarty's Christmas Cake — w/Robbie O'Connell
    5. Sean McGlynn's Mazurka
    6. Bonny Blue-Eyed Nancy — w/Robbie O'Connell
  • Side Two
    1. O'Hara, Hughes, McCreesh and Sands — w/Robbie O'Connell
    2. The Blackbird and the Hen/Keane's Farewell to Nova Scotia
    3. Mary in the Morning
    4. Farewell My Gentle Harp
    5. Muldoon the Solid Man — w/Paddy & Bobby Clancy and Robbie O'Connell
    6. The Curlew's Heel/The Deny Reel/Hanly's
    7. The Bay of Biscay

  • Musicians
    • Mick Moloney: Vocals, Bouzouki, Guitar, Mandolin, Tenor Banjo
    • Eugene O'Donnell: Fiddle
  • Additional Musicians, etc.
    • Nancy Blake: Mandolin, Cello
    • Norman Blake: Guitar
    • Rosalyn Briley: Harp
    • Tim Britton: Uillean Pipes, Tin Whistle
    • Saul Broudy: Harmonica, Vocals
    • Liz Carroll: Fiddle
    • Bobby Clancy: Vocals
    • Paddy Clancy: Vocals
    • Seamus Egan: Flute
    • Donny Golden: Dancer
    • Dennis Gormley: Various Intruments
    • James Keane: Button Accordion
    • Jimmy Keane: Piano Accordion
    • Billy McComiskey: Button Accordion
    • Joe McKenna: Uillean Pipes
    • Robbie O'Connell: Guitar, Vocals
    • Mark Simos: Guitar
    • Winnie Winston: Pedal Steel Guitar
  • Credits
    • Produced by Mick Moloney
    • Recorded at Morning Star Communications. Inc., Springhouse, PA
      • Sound Engineer: Glenn Barratt
    • Norman & Nancy Blake recorded at Gypsy Studio, Falls Church, VA
      • Sound Engineer: Mike Rivers
    • Mastered by Tom Coyne at Frankford Wayne, New York City
    • Front cover design & illustration by Ken Mitchell, inspired by Antoine Watteau
    • Back cover: Carla Frey
    • Photo by Ed Kelly
    • Notes: Mick Moloney
    • Management & supervision: Wendy Newton

Sleeve Notes

Mick Moloney and Eugene O'Donnell have been performing together since 1974. Eugene, born in Derry City, came to Philadelphia in 1957. Mick, who comes from County Limerick, arrived there in 1973. Since that time they have played all over the U.S. at festivals, clubs, colleges and concerts, becoming familiar figures wherever Irish music is played in The nation.

On this, their second Green Linnet recording together, they are joined by a multi-talented host of characters, whose friendship and musical companionship they have enjoyed over the past decade.


Nancy Blake performs with Norman Blake in The Rising Fawn String Ensemble. She is a string virtuoso, including fiddle, viola, cello and mandolin in the array of instruments she plays so well. Eugene and myself had one of our most enjoyable sojourns in recent years touring in the Blake omnibus in Tennessee and Alabama. Keep changing the air in those tires, folks!

Norman Blake is one of the most brilliant and versatile guitarists in the United States. Already his name is legendary in bluegrass and country music circles, though indeed his eclectic musical tastes and skills have extended far beyond those genres. As is often his wont, he plays a tasteful understated role in his sole musical performance on this record.

Rosalyn Briley born in Dallas, Texas, has been living in Quakertown, Pennsylvania, for 17 years. She has been playing harp for 14 years, and has studied under master harpist Dorothy Knaus. Her interest in Irish traditional music began when she heard the music of the Belfast harper Derek Bell. Rosalyn is currently a full-time musician, who performs mostly in the Philadelphia area.

Tim Britton is a mercurial musician born in Philadelphia who started playing the tin whistle and uilleann pipes at the age of eleven. He quickly developed into one of the top young Irish musicians in America. In recent years he has added the rare craft of uilleann pipe making to his repertoire of skills and now practices that trade in Iowa, his most recent place of residence.

Saul Broudy is Philadelphia's omnipresent folk musician. He has played and sung solo and with a seemingly endless cast of performers locally and nationally since the early 1970s. He plays guitar and harmonica in a variety of styles and possesses about the most eclectic repertoire of songs imaginable.

Liz Carroll was born and raised in Chicago. Her Irish-born parents encouraged her strongly to take up Irish music, first on the accordion, which her father plays, and later on the fiddle, which became her main instrument. She won the All-Ireland Senior Fiddle title at the age of 18 and again a year later. Liz possesses a prodigious repertoire of tunes, which she plays with unmatched exuberance. She is also a gifted teacher with a coterie of talented young students in the Chicago area.

Bobby and Paddy Clancy are members of the famed Clancy Brothers who along with Tommy Makem changed the course of Irish culture with their tremendous popular success in America and Ireland in the 1960s. They helped spark off a chain of events which led to a massive revival of Irish traditional music in Ireland later in the decade. Paddy, who was a member of the original quartet, and Bobby live in Carrick on Suir in County Tipperary. They tour twice a year in the U.S. with brother Tom and nephew Robbie O'Connell.

Seamus Egan is an extraordinarily talented musician who at the age of 14 has already been All-Ireland Champion in flute, mandolin and tenor banjo several times. He was born in Philadelphia and moved with his family back to Ireland in 1973, returning in 1980. He is one of the current prodigies in Irish music with apparently unfathomable potential.

Donny Golden, several times North American Irish Step Dancing Champion lives in Bay Ridge. Brooklyn. Donny is one of the few Irish dancers who hasn't retired at the end of his competitive career. He has performed at scores of festivals and concerts in recent years all over the U.S. and as far afield as Asia and WestAfrica. where he toured under the auspices of the U.S.I.A. In between performances, Donny runs his own Irish dance school in New York.

Dennis Gromley comes from the Philadelphia suburb of Upper Darby, and has been a central figure in The local area bluegrass, Irish and contemporary folk scene since the early 1970s. He sings and plays a variety of instruments, including string and electric bass, mandolin and guitar. He currently lives in Voorhees. New Jersey.

James Keane three times All Ireland Accordion Champion, was born in Dublin and currently lives in Queens, New York. After achieving spectacular success as a musician in his teens. he emigrated to America in 1967 and, apart from a short period in Canada , has lived here ever since. James performs all over the Eastern U.S., and tours nationally on occasion with the Irish traditional music group The Green Fields of America.

Jimmy Keane was born in London and moved to Chicago with his family when two years old. His father, a native Gaelic speaker, is a great traditional sean nos singer who came originally from the Gaeltacht of Connemara. Jimmy took up the piano accordion at the age of eleven , and by the time he was 22 he had won five All-Ireland titles. He plays his music with a skill, flair, and subtlety not normally much in evidence among Irish practitioners of his instrument.

Billy McComiskey was born in Brooklyn New York, into a very musical environment! Two of his uncles were traditional musicians and Billy himself first started on the accordion when six years old. He was particularly influenced by the playing and repertoire of the late Sean McGlynn. Since 1975 he has been a member of the Baltimore/Washington based band The Irish Tradition.

Joe McKenna comes from Dublin City where he studied in his teens with the great Dublin piper and teacher Leo Rowsome. Later he won the All-Ireland Championship on the uilleann pipes on two occasions. His playing style is characterized by tremendous life and flair, yet he is also known for his sensitive accompaniment of songs. He has toured the U.S. many times with his wife Antoinette, a fine singer and harpist.

Robbie O'Connell a nephew of the Clancy Brothers, is one of the most talented Irish singer/songwriters in the contemporary folk scene. His early interest in folk music was kindled by the great music and song he heard at home in County Tipperary in the homes of his uncles. Since coming to the U.S. in 1974, Robbie has played solo and with New York accordion player James Keane. He currently combines a solo career and touring and playing with Mick Moloney and Chicago's Jimmy Keane, and continues to tour twice yearly with the Clancy Brothers.

Mark Simos is a multi-talented musician who plays guitar, fiddle, banjo, mandolin and bouzouki, in a variety of ethnic styles. He was born in Southern California and in his late teens came across Irish music in the Bay area, where he was exposed to the music of the great Galway accordion players, the late Joe Cooley and Kevin Keegan. Since 198O Mark has been living in Philadelphia.

Winne Watson is one of the nation's foremost pedal steel guitar players. He is one of the most sought after session musicians around, having the rare ability to mould his style effortlessly to suit a multiplicity of varieties and styles of music.


St. Brendan’s Fair Isle — I got this song from Hamper McBee, the colorful singer and raconteur from Monteagle, Tennessee. Written by Arkansas folksinger Jimmy Driftwood, it recounts some of the fantastic legendary adventures of St. Brendan the Navigator, the intrepid monk whom we Irish credit with the 6th century discovery of America. Thanks to Becky Bell and Bill Ivy of the Country Music Foundation for their help in tracking down the complete text.

Mick — lead vocals, guitar; Liz — fiddle; Saul — harmonica. harmony vocals; Dennis — string bass, harmony vocals; Jimmy — piano accordion; Tim — whistle.

The Road to Dunmore — This is one of Robbie O'Connell's compositions. I was attracted to the song because of its melody and plaintive, compelling, simple, almost formulaic folk lyricism — something Robbie very deliberately, he tells me. incorporated into the song.

Mick — lead and harmony vocals; Eugene — fiddle; Jimmy — piano accordion.

The Bow Legged Tailor, The Galway Jig, April Fool & O'Lochlainn’s — The first tune I learned from the playing of flute player Jack Coen and his great friend and musical colleague, the late Sean McGlynn. The second jig I first heard played by Galway accordion player Martin O'Connor. April Fool was composed by Jimmy Keane, and the name was inspired by a dastardly trick played on him by Liz Carroll. The final jig we first heard played by accordion player Peter O'Lochlainn.

Mick — lead and harmony mandolin, bouzouki; Eugene — fiddle; Tim — whistle; Jimmy — piano accordion; Seamus — flute; Mark — guitars; Joe — uilleann pipes.

Miss Fogarty’s Christmas Cake — This was a great favorite of the McNulty Family, who were about the most popular Irish entertainers in New York in the 1940s and '50s. Pete McNulty's version is clearly a parody of an earlier music hall song, Miss O'Leary ’s Irish Fruit Cake, in which the chorus concluded with the lines "You would kiss a gal twice after eating a slice of Miss O'Leary's Irish Fruit Cake." It even turns up in Finnegan’s Wake where, in vintage Joycean fashion, the opening lines of the chorus are transformed — "There was plumbs and grumes and cheriffs and citherers and raiders and cinemen too."

Mick — vocals, tenor banjo, guitar; Eugene — fiddle; Robbie — guitar, harmony vocals; Donny — step dancing.

Sean McGlynn’s Mazurka — Sean McGlynn, the gifted Galway accordion player who was the very heart and soul of the New York Irish music scene in his lifetime, died a tragic death in Queens, New York in January, 1983, at the age of 46. Eugene composed this stirring, elegant piece in his memory. It is eminently fitting that he should have chosen the rarest of Irish traditional dance forms to honor the memory of such a rare and extraordinary person. Joining us on this track is Billy McComiskey, the gifted accordion player from Brooklyn, who learned so much from Sean.

Mick — guitar; Eugene — fiddle; Billy — button accordion.

Bonny Blue-Eyed Nancy — I learned this beautiful love song from Frank Harte, the Dublin singer, during a trip he made to the U.S. in 1982. Frank in turn learned it from the singing of the late Elizabeth Cronin, that wonderful lady from Macroom, County Cork, who knew so many great songs and was so generous in passing them on.

Mick — vocals, guitar; Eugene — fiddle; Robbie — guitar, harmony vocals; James — button accordion; Jimmy — piano accordion, Joe — uilleann pipes; Tim — whistles.

O’Hara, Hughes, McCreesh and Sands — This powerful and deeply moving tribute to the extraordinary sacrifice of the hunger strikers in Long Kesh in 1981 was written by Seamus MacMathuna, the fine singer and flute player now living in Dublin. Patsy O'Hara, Francis Hughes, Raymond McCreesh and Bobby Sands were the first four to give up their lives trying to establish political prisoner status for themselves and their fellow inmates in that grim prison better described as a concentration camp.

I first heard Seamus sing this on a bleak wintry night in Friel's Bar in Milltown Malbay, and his chilling rendition etched itself into my mind.

Mick — vocals, guitar; Eugene — fiddle; Robbie — guitar; James — concertina.

The Blackbird and the Hen & Keane’s Farewell to Nova Scotia — The first tune we learned from the Monaghan piper Eamonn Curran. Apparently composed by an anonymous 18th century harper, it was collected though never published by Edward Bunting in the 1790s. The second tune was composed by James Keane some years ago while living in Nova Scotia.

Mick — mandolin; Eugene — fiddles; Nancy — harmony mandolin, cello; Norman — guitar.

Mary in the Morning — Singer/songwriter Tommy Sands from Newry, County Down, wrote this song inspired by a tragic incident in his own family history.

Mick — lead and harmony vocals; Saul — harmonicas, harmony vocals; Dennis — electric bass; Winnie — pedal steel guitar; Liz — fiddle.

Farewell My Gentle Harp — This starkly beautiful piece was composed by 17th century Northern harper Rory Dall O'Cathain (Blind Rory Keane). Eugene learned it from Rosalyn Briley.

Eugene — fiddle; Rosalyn — harp.

Muldoon the Solid Man — This was written in 1874 by Ed Harrigan, the famous 19th century playwright of Harrigan and Hart fame. The central figure is somewhat of a composite characterization of well-to-do, upwardly mobile Irish Americans of that era. The song quickly became highly popular in the music halls of New York City and was in particular associated with the noted music hall performer W.J. Ashcroft, who would perform the song in the Theater Comique, flamboyantly dressed in top hat and tailcoat. His performances of the song in Dan Lowry's Music Hall in Dublin in 1880 introduced the song to Ireland, and it entered the oral tradition in due course. I learned the first two verses from Dublin singer Frank Harte, and retrieved the last verse from the Harrigan original version. Joining me on the chorus are Robbie O'Connell and, fulfilling a 20-year-old fantasy of mine, his uncles from the famous Clancy Brothers, Bobby and Paddy.

The Curlew’s Reel, The Derry Reel & Hanly’s — I really don't remember where we picked up the first reel. Thanks to Joe Burke for supplying the name. The second was composed by Eugene O'Donnell and has a sort of Donegal swing to it. The last reel we first heard played by Jimmy Keane and Liz Carroll. They heard it on a tape played by the fine flute player Patsy Hanly.

Mick — tenor banjo, mandolin, guitar; Eugene — fiddle, piano; Jimmy — piano accordion; Seamus — flute; Joe — uilleann pipes; Liz — fiddle.

The Bay of Biscay — An eerie, lonesome song which I learned from the great Galway singer Sean Cannon, who in turn got the song from the singing of James McKinly of Tra na Rossan, County Donegal. The theme is a familiar one in the Irish song tradition. A young woman, waiting patiently for her true love's return after a seven year absence, is visited by his ghost. After they spend one last night together, he leaves forever.

Mick — vocals, guitar; Eugene — fiddle; Joe — uilleann pipes.