Christy Moore   •   Live in Dublin 2006

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  • Live at the Point 2006
    • 2006 - Columbia 828768 27752 CD [x2] (IRL)
  • Disc One:
    1. Two Island Swans (Pappalardi, Collins)
    2. North and South (Moore, Hewson, Evans)
    3. So Do I (Wally Page)
    4. Hattie Carroll (Bob Dylan)
    5. Motherland (Natalie Merchant)
    6. Wise & Holy Woman (Christy Moore, Wally Page)
    7. Casey (Martin Egan)
    8. The Magdalene Laundries (Joni Mitchell)
    9. Missing You (Jimmy McCarthy)
    10. Beeswing (Richard Thompson)
    11. Smoke & Strong Whisky (Wally Page)
    12. America, You Are Not the World (Morrissey)
    13. Natives (Paul Doran)
    14. Quiet Desperation (Floyd Westerman)
    15. Ordinary Man (Peter Hames)
    16. Ride On (Jimmy McCarthy)
    17. Vive La Quinte Brigada (Christy Moore)
    18. The Contender (Jimmy McCarthy)
    19. City of Chicago (Barry Moore)
    20. Victor Jara (Guthrie, Mitchell)
  • Disc One:
    1. The Two Conneeleys (Moore, Wally Page)
    2. Yellow Triangle (Christy Moore)
    3. Strangeways (Christy Moore)
    4. Faithful Departed (Philip Chevron)
    5. Sacco & Vanzetti (Woody Guthrie)
    6. Sonny's Dream (Ron Hynes)
    7. Stitch in Time (Mike Waterson)
    8. Veronica (Moore, Sinnott, Lunny)
    9. Corina Corina (Vocal - Declan Sinnott) (Trad. Arr. Bob Dylan)
    10. Butterfly (So Much Wine) (Handsome Family)
    11. Sixteen Fishermen Raving (Wally Page, Tony Boylan)
    12. Mercy (Page, Boylan)
    13. Cry Like A Man (Dan Penn)
    14. Hiroshima Nagasaki Russian Roulette (Jim Page)
    15. Bright Blue Rose (Jimmy McCarthy)

  • Musicians
  • Credits
    • Produced by Declan Sinnott & Christy Moore
    • Recorded, Mixed & Mastered by Tim Martin
    • Crew: Paddy Doherty, Mick Devine, Davy Meade, Dickon Whitehead, John Meade, Geoff Ryan
    • Cover photograph: Conor Horgan
    • Photography: Graham Keogh
    • Design:

Sleeve Notes

These recordings were made at The Point Depot in Dublin on December 29th and 30th and January 5th and 6th, 2006. Since first stepping before the lamps I have played in all sorts of places, upstairs rooms and downstairs basements, outside halls and inside tents from Carnegie in Manhattan to the 12 Pole in Carndonagh. I have been singing in different lineups and some strange combinations. This particular leg of the journey began in 2001 when I hooked up once again with Declan Sinnott. We kicked off in Cleeres Theatre, Kilkenny back in 2001 and over the past 5 years it has developed into, what has become for me, the most satisfying period of my working life. Last year I decided I would like to mark the work by trying to get it filmed & recorded. John Sheehan at Sony gave me the nod and the project began. I opted for a huge kip of a shed down-by where the Liffey flows into the sea. They call it The Point Theatre but it is in fact a railway depot, a shed that can be dressed up into a fantastic venue. I have had many wonderful nights there both as an audient and as a singer. This gig began when Paddy Doherty got together with Peter Aiken and The Point crew to figure out how best to doll up the old building. Davy Meade serviced the amps and laundered the pop shields while Dickon Whitehad tweaked the feedback in the foldback. (I like everything to be louder than everything else), lohnny Meade massaged the bowrawn, tuned the boxes and kept an eye on the clock. Geoff Ryan showed Tom Kenny where our good sides lay and how they might be lit. Philip King rounded up all the usual suspects including Maurice Linnane, Cian De Buitleir and Tina Moran, et al., Best Boys one and all. When the Clapper Board came down Tim. Martin had all the knobs well polished and turned up to 11. Michael Devine was all over the shop, himself and Crossroads keeping an eye on everything that moved and quite a few that didn't. We were ready. We were well catered and coiffed as, with trousers pressed, we made the long walk out to face the music.

The repertoire here spans the decades, old and new, all mixed together. As the songs tumbled out some were well rehearsed while others were more of the moment.

I thank you for your support and encouragement. The way you have listened has always raised me up. The songs will live on as long as we sing and hear them.

Ride On,