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Anthologies

Decca Anthologies


Hootenanny in London

  • Hootenanny in London
    • 1963 - Decca LK 4544 LP

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  • Side One
    1. Barnyards of Delgartey (arr. Campbell) — ALEX CAMPBELL
    2. End of Me Old Cigar (Weston) — REDD SULLIVAN and MARTIN CARTHY
    3. Cruising Round Yarmouth (Collected by Mac Coll, Seeger) — LOU KILLEN
    4. Girls (G. & T. Linch) — MARTIN CARTHY
    5. Little Chance (Davenport, Elliot) — BOB DAVENPORT
    6. Not Today (Hasted) — REDD SULLIVAN
    7. Your Baby 'As Gorn Dahn The Plug 'Ole (Spade) — MARTIN CARTHY
  • Side Two
    1. Pleasant and Delightful (Collected by MacColl, Seeger) — LOU KILLEN
    2. Baron o' Brackley (arr. Denver) — NIGEL DENVER
    3. The Leaving of Liverpool (Doerflinger, arr. Killen) — LOU KILLEN
    4. Friendless Mary (Collected by MacColl, Seeger) — NIGEL DENVER
    5. Wild Rover (Collected by MacColl, Seeger) — LOU KILLEN

  • Musicians
    • Alex Campbell, Lou Killen, Bob Davenport, Nigel Denver, Martin Carthy and Redd Sullivan
  • Credits
    • Supervised by Wally Whyton
    • Produced by Hugh Mendl
    • Recording Engineers: Mike Savage & Gus Dudgeon

Sleeve Notes

The increasing popularity of folk song in this country has encouraged an equivalent interest in the Hootenanny or ceilidh, a late night social gathering devoted to song and instrumental music. Often extending into the small hours they owe a great deal of their success to the casual atmosphere and the close bond which is established between the artists and their audience.

This Hootenanny was staged in the rather unusual venue of the Decca recording studio at West Hampstead as opposed to the cosier atmosphere of the London folk cellars. This however, in no way inhibited either the performers or the listeners as you can hear. The session began at midnight and it was not until five hours later that the two hundred people present stepped out into the chill spring dawn to race the milk man home.

Naturally enough this mammoth session produced a wealth of first class performances and this record carries the cream of these with the rich dialect laden voices of Bob Davenport and Lou Killen from Newcastle to the southern English tones of Martin Carthy and Redd Sullivan from London. There is also the Scots lilt of Nigel Denver who crossed the border about a year ago to make his mark in the English folk song clubs with his spirited renderings of the old Scots balladry.

Finally, there are the irrepressible good spirits of Alex Campbell which coupled with a strong voice and a rich sense of humour lead the way to a fine evening's entertainment at the Hootenanny in London.

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Edinburgh Folk Festival - Volume One
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  • Edinburgh Folk Festival - Volume One
    • 1963 - Decca LK 4546 LP

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  • Side Two
    1. Johnny Cope Hamish Imlach
    2. The Devil and the Farmer's Wife — Ian Campbell Folk Group
    3. My Donal' — Ray Fisher
    4. Hurricane Hattie — Nadia Cattouse
    5. Jazz Bo's Holiday — Clive Palmer & Robin Williamson
    6. Gaelic Song — Dolina MacLennan
    7. My Johnnie is a Shoemaker — Ray and Archie Fisher
    8. Glasgow Street Songs Medley: Queen Mary, Queen Mary, It's a Life & O'Hara — Ray and Archie Fisher

  • Credits
    • Produced by Nathan Joseph for Transatlantic Records in association with Hugh Mendl
    • Recorded by Bill Leader
    • Edited by Gus Dudgeon

Sleeve Notes

Somewhere about the fringe of the fringe of the fringe of the Edinburgh Festival there was great deal of folk music going on. Officially, and in the "official fringe festival" there was quite a bit. But right at the outer edges of the festival there were always a lot of unannounced good things to be had, provided by people who no doubt believed that Edinburgh presents them with an ideal platform for their wares.

The difference between the 1963 festival and those of former years seems to be, as far as folk music is concerned, that a lot of Edinburgh folk got together with a fair number of Glasgow folk — there's a very thriving folk scene in Clydeside and a fast road and deisel service link Glasgow to the Scottish capital.

And somewhere along the line other singers from all over Scotland and England heard on the folk grapevine that Edinburgh '63 was a thing not to be missed. The result was something very much like a folk festival superimposed on the drama and classical music and exhibitions. Much of this folk festival took place in odd pubs and coffee bars and most of it was unadvertised, but those lucky enough to find it lapped it up.

The mobile recording van did not find it by luck, of course, but by design. The first fruits of their efforts are on this disc.


TAIL TODDLE is a bit of Scottish nonsense that has grown into mouth music on the lips of many traditional singers. The nature of the words is such that it is not surprising that one version found its way into the famous collection of Burns' bawdy verse, 'The Merry Muses of Caledonia'.

The IAN CAMPBELL FOLK GROUP sings it here and the words are followed by a spirited instrumental passage played in the style that, together with the group's fine Singing, has made Ian Campbell a force to be reckoned with all over the folk scene. The group is Birmingham based though Ian and his sister Lorna are both Scots born. Dave Swarbrick (fiddle), John Dunkerley (banjo) and Brian Clark (guitar) wield the instruments.

HIGHLAND LADDIE, a tune too well known in tradition to need qualifying, is sung here by ARCHIE FISHER a young singer who has done a great deal to promote folk music in Scotland.

SHE MOVED THRO' THE FAIR, a familiar Irish song made even more familiar by the poem (based closely on the traditional words) by Padraic Colum. It is sung here by ANN BRIGGS, a girl from Nottingham who has one of the best voices to be found among young singers. It is very-likely indeed that, as her voice matures, Ann will be one of Britain's great traditional-style singers.

WHISKY IN THE JAR, another traditional Irish song sung here by ARCHIE FISHER and his sister RAY. It is given a very rhythmic treatment of a type becoming increasingly popular and there is no doubt that many folk fans and clubs thrive on it

ONE DIME BLUES, a blues improvisation played on the twelve-string guitar by OWEN HAND. The player is an Edinburgh virtuoso in his late twenties and a fine writer of songs in the folk idiom, including 'My Donal' (side two).

VERDANT BRAES OF SKREEN is from the repertoire of the famous McPeake Family of Belfast. The McPeakes sing it with group harmonies but LOUIS KILLEN, who sings the song here, makes up for the absence of harmonies by his fine dramatic treatment. Killen is one of the most articulate of the lyrical singers thrown up by the great folk revival in North-East England, and he is as well known on Tees-side and in London as he is on his native Tyneside.

RAP TAP TAP, written and sung here by MATT MCGINN, is a broadside lightly aimed at the fifty-strong classes that abound in Scottish — and English — schools, causing some little local difficulties for the teachers. McGinn is himself a teacher and has written scores of satirical and political songs commenting on Scottish daily life.

JOHNNY COPE, a song in which Scotsmen still celebrate the rout of the English under General John Cope at Prestonpans in 1745. HAMISH IMLACH, who sings the song, is a rugged Scot with the appearance of Burl Ives and an even more rugged voice. Born in India, Imlach is specially interested in music for the sitar.

The DEVIL AND THE FARMER'S WIFE is well known in many versions all over the English-speaking world. One version is called, understandably, The Women are Worse than the Men'. BRIAN CLARK sings the song backed by the rest of the Ian Campbell Folk Group.

MY DONAL', a song about the sailor's life written, from the point of view of the waiting-at-home wife, by Owen Hand, who spent three years on a whaling ship, and suiig by RAY FISHER with feeling and great skill.

HURRICANE HATTIE brought the tragic series of storms to the Caribbean in 1961. NADIA CATTOUSE, herself a West Indian, sings it here. She is well known in Britain as a singer and an actress and received good notices at Edinburgh for her part in the 'Behan Bein' Behan' show.

JAZZ BO'S HOLIDAY, a ragtime banjo piece, is typical of the 'curio music' that flourishes in odd pockets all over the folk scene. Instrumentalists CLIVE PALMER and ROBIN WILLIAMSON are typical of many of the folk performers who appeared at Edinburgh. They just blew into a club, played and sang, blew out again. Robin is quite well known locally as a singer. Clive — well, nobody knows much about him except that he comes from around Nottingham and plays, as you will hear, fabulous ragtime banjo.

GAELIC SONG. This lovely slow air is sung by DOLINA MACLENNAN. Born in the island of Lewis, Dolina is a young singer of rare quality and power who has been singing in English and Gaelic in Edinburgh for several years.

MY JOHNNY IS A SHOEMAKER is an English traditional song about the sea and the press gangs, sung here by RAY and ARCHIE FISHER.

GLASGOW STREET SONGS MEDLEY. A selection of children's songs is a common feature of many Scottish clubs — perhaps because the songs are well enough known to get everybody singing lustily. RAY and ARCHIE FISHER have made their own arrangement of the three Glasgow songs they sing here.

Eric Winter

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Edinburgh Folk Festival - Volume Two
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  • Edinburgh Folk Festival - Volume Two
    • 1964 - Decca LK 4563 LP

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  • Side One
    1. Back To Back — Nadia Cattouse
    2. When I Was Noo But Sweet Sixteen — Ray Fisher
    3. My Husband's Got No Courage In Him Louis Killen
    4. Johnny Remensky Hamish Imlach
    5. Let No Man Steal Your Thyme — Ann Briggs
    6. Fiddle Tunes Ian Campbell Folk Group (by permission of Transatlantic Records)
    7. All The Week (MacColl) - Jill Doyle
    8. MacPherson's Rant — Hamish Imlach
  • Side Two
    1. You Cannae Kick Around Here (McGinn) - Matt McGinn
    2. I Loved A Lass — Archie Fisher
    3. Hamba Lilli — Jean Hart (by permission of Transatlantic Records)
    4. Shoals Of Herring (MacColl, Clancy) - Ian Campbell Folk Group (by permission of Transatlantic Records)
    5. Mouth Music — Dolina Maclennan
    6. lnveray Owen Hand
    7. Kishmul's Galley (Kennedy-Fraser, MacLeod) - Ray & Archie Fisher

  • Musicians
    • Nadia Cattouse, Lou Killen, Ann Briggs, Jill Doyle, Hamish Imlach, Matt McGinn, Jean Hart, Ian Campbell Folk Group, Dolina Maclennan, Owen Hand, Ray & Archie Fisher
  • Credits
    • Produced by Nathan Joseph for Transatlantic Records in association with Hugh Mendl
    • Recorded by Bill Leader
    • Edited by Gus Dudgeon

Sleeve Notes

Somewhere about the fringe of the fringe of the fringe of the Edinburgh Festival there was great deal of folk music going on. Officially, and in the official fringe festival" there was quite a bit. But right at the outer edges of the festival there were always a lot of unannounced good things to be had, provided by people who no doubt believed that Edinburgh presents them with an ideal platform for their wares.

The difference between the 1963 festival and those of former years seems to be, as far as folk music is concerned, that a lot of Edinburgh folk got together with a fair number of Glasgow folk—there's a very thriving folk scene in Clydeside and a fast road and diesel service link Glasgow to the Scottish capital.

And somewhere along the line other singers from all over Scotland and England heard on the folk grapevine that Edinburgh '63 was a thing not to be missed. The result was something very much like a folk festival superimposed on the drama and classical music and exhibitions. Much of this folk festival took place in odd pubs and coffee bars and most of it was unadvertised, but those lucky enough to find it lapped it up.

The mobile recording van did not find it by luck, of course, but by design. The first fruits of the design are on Edinburgh Folk Music Festival"—Vol. 1 (Decca LK 4546). This present disc is a natural follow-up.


SIDE ONE
BACK TO BACK is probably one of the best things the West Indians ever brought to Britain. This ghostly jamboree, celebrated in a cemetery, is sung by NADIA CATTOUSE, well known here as a singer and actress. She appeared at Edinburgh in 1963 in the 'Behan Bein' Behan' show.

WHEN I WAS NOO BUT SWEET SIXTEEN, a lovely traditional Scots song, sung here by RAY FISHER, a young Scot who has achieved considerable success on the folk music scene in Scotland and North-East England.

MY HUSBAND'S GOT NO COURAGE IN HIM, a nice bit of allusive songwriting, popularised by A.L. Lloyd. It is sung by LOUIS KILLEN, a fine lyrical singer from Tyneside who is well known all over the folk scene.

JOHNNY REMENSKY, more usually called 'Let Remensky Go', is a song written by Roddy Macmillan about the five escapes from Peterhead jail of Remensky the safe-breaker, who was 'employed' during World War II as a cracksman-commando to break safes in enemy territory, given a free pardon at the end of the war and subsequently jailed again for safe-breaking. His escapes were spectacular, his freedom short-lived, but many people thought, perhaps sentimentally, that he should have been given another pardon. Hamish Imlach, who sings the song, is rather like Burl Ives in appearance, but more rugged in voice.

LET NO MAN STEAL YOUR THYME, a very beautiful English song, sung here by ANN BRIGGS, who has one of the best voices among today's young singers.

FIDDLE TUNES. A vigorous medley of Scots and Irish tunes from three-fifths of the Ian Campbell Folk Group, Dave Swarbrick (fiddle), John Dunkerley (banjo) and Brian Clark (guitar).

ALL THE WEEK is one of the songs written by Ewan for the radio ballad 'Singing the Fishing'. JILL DOYLE, who sings it, is one of the band of people responsible for fostering a love of folk song among Edinburgh's young people during the last four or five years.

MACPHERSON'S RANT. The legendary hero of this song is said to have broken his fiddle at the foot of the gallows, rather than let anyone else play it. The authorities, hell-bent on the execution and knowing that a reprieve was on the way, put forward the clock so they could hang Macpherson. Hamish Imlach is the singer.

SIDE TWO
YOU CANNAE KICK AROUND HERE, one of the thousand songs written by Glasgow school teacher Matt McGinn, who sings it here.

I LOVED A LASS, a lovely traditional song found in many versions a 11 over Britain. Sung here by ARCHIE FISHER, a young singer who has done a great deal to promote folk music in Scotland.

HAMBA LILLI, a South African kwela song meant, as you will hear, to be danced to. The repetitive words mean, 'Move, Lily, move.' JEAN HART, who sings the song, is better known to audiences at the Establishment Club in London, but she enjoys singing folk songs and has appeared at several folk song concerts in London and Edinburgh.

SHOALS OF HERRING. If this song, written by Ewan for 'Singing the Fishing' is not No.1 on the folk hit parade, it is pretty near the top. This arrangement for the Ian Campbell Folk Group features Ian Campbell as singer.

MOUTH MUSIC. Born in the island of Lewis, DOLINA MACLENNAN has been singing in Gaelic and English for several years in Edinburgh. Here she displays the mouth music used traditionally as an accompaniment for dancing.

INVERAY, the famous ballad of the Baron O' Brackley (Child No. 203), sung here by a fine young Scot OWEN HAND.

KISHMUL'S GALLEY is one of the Hebridean songs made famous in a rather poetic English version by Kennedy-Fraser. Here it is sung with vigour and conviction by ARCHIE FISHER and his sister RAY.

ERIC WIRTER

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Irish Folk Night
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  • Irish Folk Night
    • 1964 - Decca LK 4633 LP

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  • Side One
    1. The Little Beggerman The Dubliners
    2. The Sweets of May — The Dubliners
    3. The Wild Mountain Thyme Luke Kelly & Dave Phillips
    4. The Good Ship Calabah — Paul Lenihan
    5. Ratcliffe Highway — The Dubliners
    6. Three lovely Ladies (from Kimmage) — The Dubliners
  • Side Two
    1. Down by the Liffeyside — The Dubliners
    2. The Stray away Child — Margaret Gorman, Michael Barry & Jimmy Power
    3. The Findind of Moses — Paul Lenihan
    4. The Bonny Lass of Fyvie — The Dubliners
    5. Whiskey in the Jar — Paul Lenihan
    6. The Gentleman Soldier — Luke Kelly & Dave Phillips

  • Musicians
    • The Dubliners
    • Luke Kelly (singing with), Dave Phillips
    • Paul Lenihan
    • Margaret Barry, Michael Gorman & Jimmy Power
  • Credits
    • Recorded live at Folksong El Toro, London, 29 June 1964

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Folk Now
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  • Folk Now
    • 1965 - Decca LK 4683 LP

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  • Side One
    1. The Keeper (Arr. Hellerman, Hays, Seeger, Gilbert) — The Settlers
    2. Black Is The Colour of My True Love's Hair (Trad., Arr. Graham) — Davy Graham
    3. Bahama Lullaby (Trad., Arr. Laney, Vallins, Shoben) — One, Two and Three
    4. Johnny, I Hardly Knew You (Trad., Arr. MacGregor, Hall) — Robin Hall & Jimmie MacGregor with the Galliards: from A Rovin' (1963)
    5. Come All Ye Tramps and Hawkers (Arr. Denver) — Nigel Denver: from Nigel Denver (1964)
    6. Ratcliffe Highway (Trad.) — The Dubliners: from Irish Folk Night (1964)
    7. Mary Ann (Trad., Arr. Mark) — Marianne Faithful
  • Side Two
    1. Masters of War (Dylan) — Julie Felix
    2. The Long Black Veil (Dill, Wilkin) — The Malcolm Price Trio
    3. Hurricane Hattie (Berry) — Nadia Cattouse: from Edinburgh Folk Festival - Volume One (1963)
    4. Whistle Daughter Whistle (Trad., Arr. Doonican) — Val Doonican
    5. Pretty Saro (Collins, Trad.) — Shirley Collins & Davy Graham
    6. Wimoweh (Campbell) — The Thameside Four & Davy Gaham
    7. Drill Ye Tarriers Drill (Trad., Arr. Campbell) — Ian Campbell Folk Group: from The Ian Campbell Folk Group (1964)

  • Sources:
    • Reinhard Zierke's "Mainly Norfolk: English Folk and Other Good Music" website.

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