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England

Ewan MacColl

The Singing Sailor & The Black Ball Line
Ewan MacColl, A.L. Lloyd & Harry H. Corbett


The Singing Sailor
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  • The Singing Sailor
    • 1955 - Topic TRL3 LP

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  • Side One
    1. The Ship in Distress
    2. Johnny Todd
    3. Haul on the Bowline
    4. The Cruel Ship's Captain
    5. The Dreadnought
    6. Santy Anna
    7. The Coast of Peru
    8. Row Bullies Row
  • Side Two
    1. Blood Red Roses
    2. Off to Sea Once More
    3. Blow the Man Down
    4. The Flying Cloud
    5. Lord Franklin
    6. Paddy Doyle
    7. Van Diemen's Land
    8. The Greenland Whale Fishery

  • Musicians
    • Ewan MacColl: Vocals (Tracks: 2, 5, 8, 12, 14 & 15)
    • A.L. Lloyd: Vocals (Tracks: 1, 3, 4, 6, 7, 9, 10, 13, 14 & 16)
    • Harry H. Corbett: Vocals (Track: 11)
    • … with chorus (Tracks: 3, 6, 9 & 11)
    • Alf Edwards: Concertina (Tracks: 2, 5, 8, 10, 13 & 16)
    • Brian Daly: Guitar
  • Sources:
    • All of the information on this LP comes from Alistair Banfield, including the original cover.
    • Updated cover from Mainly Norfolk.

Top Index

Row Bullies Row

  • Row Bullies Row
    • 1957 - Topic (8)T7 LP [8"]
  • Chants de Marins Anglais No. 1
    • 1958 (circa) - Le Chante du Monde LDY 4155 EP [7"] (France)

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  • Side One
    1. Haul on the Bowline
    2. Row Bullies Row
    3. The Cruel Ship's Captain
    4. The Dreadnought
    5. Paddy Doyle
  • Side Two
    1. Santy Anna
    2. Johnny Todd
    3. Blood Red Roses
    4. Lord Franklin
    5. Blow the Man Down

  • Credits — Chants de Marins Anglais No. 1
    • Liner Notes: Vladimir Pozner
    • Sleeve: Brunel
  • Notes:
    • Row Bullies Row is 10 of the 16 tracks originally released on Singing Sailor
    • Tracks: 7 & 9 are omitted on Chants de Marins Anglais No. 1.

Sleeve Notes

The songs on this disc we either work songs, shanties or diversionary songs, foc'sle songs or forebitters, sung during the evening dog watch, when the men gathered round a squeeze-box in the foc'sle or, in fair weather, sat round the bitts or around the fore-hatch.

The great days of sailor-singing were in the first two thirds of the nineteenth century, when the really fast ships were evolved. When 'If the men don't sing right, the ship don't move right' was the axiom, and a good shanty-man was always sure of a job on a fast clipper.

Roughly, shanties are of three kinds; capstan shanties, used for such jobs as weighing anchor; halliard shanties for hoisting the heavy yards; short drag shanties for taking in slack or hauling on sheet. and braces.

Notes based on material supplied by A.L. Lloyd and Ewan MacColl.

HAUL ON THE BOWLINE: A shanty for sheeting home the foresail, and similar jobs. The pull came on the "Haul!" at the end of each verse.

ROW, BULLIES. ROW: This song relates to the grain trade. Today 'Scouse' (Liverpool) singers claim it as their own.

THE CRUEL SHIP'S CAPTAIN: Gradually whittled does from a long-winded street ballad, this is one of the briefest and most ferocious sea songs.

THE DREADNOUGHT: One of the few songs about a particular ship. Built in 1853, though not one of the fastest of her class, she could stand any amount of driving in heavy weather.

PADDY DOYLE: A shanty for bunting the fore or main sail. Paddy Doyle, the villain of this shanty, was a Liverpool boarding house keeper.

SANTY ANNA: Is a capstan shanty that reverses history. Santa Anna actually lost the day in one of the decisive battles of the Mexican war.

JOHNNY TODD: Once a favourite sailors song, now accompanies a ball game played by Liverpool children.

BLOOD RED ROSES: A little-known halliard shanty. The blood red roses may be the red-coated military, or the oath of a polite shanty-man.

LORD FRANKLYN: In 1845 Sir John Franklyn sailed from England to try to find a way through the Northwest passage. Franklyn's two ships vanished without a trace in the arctic ice.

BLOW THE MAN DOWN: This is a classical halliard shanty with alternate solo and chorus lines. It is led, in true Liverpool style, by Harry Corbett.

Top Index

The Black Ball Line

  • The Black Ball Line
    • 1957 - Topic T8 [8"] EP
  • Chants de Marins Anglais No 2
    • 1958 (circa) - Le Chante du Monde LDY 4157 EP [7"] (France)

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  • Side One
    1. The Black Ball Line
    2. Do Me Ama
    3. Reuben Ranzo
    4. The Handsome Cabin Boy
    5. A Hundred Years Ago
  • Side Two
    1. Stormalong
    2. The Coast of Peru
    3. The Gauger
    4. Sally Racket

  • Musicians
    • Ewan MacColl: Vocals (Tracks: 1, 4, 6 & 8)
    • A.L. Lloyd: Vocals (Tracks: 2, 3, 5, 7 & 9)
    • … with chorus (Tracks: 1, 3, 5, 6 & 9)
    • Alf Edwards: concertina (Tracks: 4, 6, 8)

Sleeve Notes

The songs on this disc we either work songs, shanties or diversionary songs, foc'sle songs or forebitters, sung during the evening dog watch, when the men gathered round a squeeze-box in the foc'sle or, in fair weather, sat round the bitts or around the fore-hatch.

The great days of sailor-singing were in the first two thirds of the nineteenth century, when the really fast ships were evolved. When 'If the men don't sing right, the ship don't move right' was the axiom, and a good shanty-man was always sure of a job on a fast clipper.

Roughly, shanties are of three kinds; capstan shanties, used for such jobs as weighing anchor; halliard shanties for hoisting the heavy yards; short drag shanties for taking in slack or hauling on sheet. and braces.

Notes based on material supplied by A.L. Lloyd and Ewan MacColl.

THE BLACK BALL LINE: Ships of this line had a red swallow tail flag with a black ball in the middle. They ran from New York to Liverpool.

DO ME AMA: A foc'sle song. This version is a little fuller than those printed.

REUBEN RANZO: A halyard shanty. Ranzo is probably a corruption of Lorenzo, and refers to men from the Azores who shipped aboard whalers.

THE HANDSOME CABIN BOY: A 19th century broadside ballad, that remained a steady seller in fairs and back streets of provincial towns for more than sixty years.

A HUNDRED YEARS AGO: A halliard shanty deriving from a mid nineteenth century minstrel song. 'A Long Time Ago'.

STORMALONG: A shanty for manning the capstan or pumps.

THE COAST OF PERU: Is a song from the hey-day of Pacific spermwhaling; between the 1790's and the 1840's.

THE GAUGER: A gauger is an exciseman. This song dates from about 150 years ago, when liquor smuggling was going strong on the South-East coast of Scotland.

SALLY RACKET: This version of the song probably comes from the ships running to the West Indies. The tune resembles the Jamaican tune Mr. Ramgoat.

Top Index

Singing Sailors
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  • Singing Sailors
    • 1957 - Wattle C5 LP [10"] (Australia)

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  • Side One
    1. Stormalong
    2. Van Diemen's Land
    3. The Dreadnought
    4. Lord Franklin
    5. Paddy Doyle
  • Side Two
    1. The Black Ball Line
    2. The Greenland Whale Fishery
    3. Haul on the Bowline
    4. Blood Red Roses
    5. Johnny Todd

  • Musicians
    • Ewan MacColl: Vocals (Tracks: 1-3, 6 & 10)
    • A.L. Lloyd: Vocals (Tracks: 4, 5 & 7-9)
    • … with chorus (Tracks: 1, 6, 8 & 9)
    • Alf Edwards: Concertina (Track: 3, 4, 7 & 10)

Top Index

Shanties & Fo'c'sle Songs
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  • Shanties & Fo'c'sle Songs
    • 1957 - Wattle C6 LP [10"] — Australia

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  • Side One
    1. Blow the Man Down
    2. Do Me Ama
    3. Santy Anna
    4. The Ship in Distress
    5. The Handsome Cabin Boy
    6. A Hundred Years Ago
  • Side Two
    1. Row Bullies Row
    2. The Cruel Ship's Captain
    3. Reuben Ranzo
    4. The Coast of Peru
    5. Off to Sea Once More
    6. Sally Racket

  • Musicians
    • Ewan MacColl: Vocals (Tracks: 5 & 7)
    • A.L. Lloyd: Vocals (Tracks: 2-4, 6 & 8-12)
    • Harry H. Corbett: Vocals (Track: 1)
    • … with chorus (Tracks: 1, 3, 6, 9 & 12)
    • Alf Edwards: Concertina (Track: 2, 5, 7, 11)

Top Index

Haul on the Bowlin: Volume One & other chanties and foc'sle songs

  • Haul on the Bowlin: Volume One & other chanties and foc'sle songs
    • 1958 - Stinson SLP 80 LP [10"]
    • 1962 - Stinson SLP 80 LP [12"] — Collector's Series

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  • Side One
    1. Haul on the Bowlin
    2. Row Bullies Row
    3. The Coast of Peru
    4. The Black Ball Line
    5. The Ship in Distress
    6. The Gauger
  • Side Two
    1. Blow the Man Down
    2. Do Me Ama
    3. Santy Anna
    4. The Flying Cloud
    5. A Hundred Years Ago

  • Musicians
    • Ewan MacColl: Vocals (Tracks: 2, 4, 6 & 10)
    • A.L. Lloyd: Vocals (Tracks: 1, 3, 5, 8, 9 & 11)
    • Harry H. Corbett: Vocals (Track: 7)
    • … with chorus (Tracks: 1, 3, 7, 9 & 11)
    • Alf Edwards: Concertina (Tracks: 2, 6, 8)
    • Brian Daly: Guitar
  • Credits
    • Edited by Kenneth S. Goldstein
  • Notes:
    • This series of Stinson LPs where pressed on black and red vinyl.

Sleeve Notes

THE SONGS

The songs in this album have the hardness of teak and the roughness of white canvas. They are songs made by the old time sailing-ship sailors. Some are work songs — shanties — shaped to help the men heave together. Others are diversionary songs — foc'sle songs or forebitters — sung during the evening dog-watch, when the men gathered round a squeeze-box in the foc'sle or, in fair weather, sat on the bitts or around the fore-hatch.

The great days of sailor-singing were in the first two-thirds of the nineteenth century, when the really fast ships were evolved. Keen rivalry between shipping companies meant that skippers were expected to drive their men to get every possible knot of speed out of their craft. "If the men don't sing right, the ship don't move right" was the axiom, and a good shantyman was always sure of a job on a fast clipper.

Roughly, shanties are of three kinds: capstan shanties, used for such jobs as weighing anchor; halliard shanties, for hoisting the heavy yards; short-drag shanties for taking in slack or hauling on sheets and braces. Many of the greatest shanties were evolved during the growth of the cotton trade, when the song-idiom of British seaman mingled with that of the Negro stevedores.

HAUL ON THE BOWLIN' — This lively shanty is often said to be at least as old as the reign of Henry VIII, but there is little evidence of such antiquity. Until the end of the days of sail, it remained a favorite song for sheeting home the foresail and for other jobs calling for 'a few pulls but good 'uns.' The pull came on the word "Haul!" at the end of each verse.

ROW, BULLIES, ROW — This song relates to the California grain-trade and was a great favorite with English-speaking sailor? everywhere. Today, however, 'Scouse' singers (citizens of Liverpool) claim it as their own.

THE COAST OF PERU — The English whaling ship Emilia was the first to round Cape Horn and in-augerate the Pacific spermwhale fishery in 1788. By the 1840s, the days of the South Seamen were numbered. But they left behind a fine memorial in their song The Coast of Peru. Tumbez, mentioned in the last verse, is at the far northern extremity of Peru, on the Gulf of Guayaquil, near the equator.

THE BLACK BALL LINE — The Black Ball Line started in 1816. Its little 300-500 ton ships with their red swallowtail flag with its black ball in the middle, ran regularly twice a month from New York to Liverpool. They were heavily sparred and carried big crews, and because the working pressure was fierce, a great deal of hard singing went on. This song must be among the oldest of the better-known windless shanties.

THE SHIP IN DISTRESS — The story of the ship adrift, with its crew reduced to cannibalism but rescued in the nick of time, has a fascination for makers of sea legends. Cecil Sharp, who collected more than a thousand songs from Somerset, considered The Ship In Distress to be the grandest tune he had found in that county.

THE GAUGER — In some parts of Britain, one finds a number of songs rather oddly shared between seamen and miners. Tyneside is one such area, East Fife, in Scotland, is another. This song, which is probably about 150 years old, was equally well known among workers underground and workers afloat. It comes from the days when liquor smuggling — particularly the illegal running of gin from Holland — was going strong on the southeast coast of Scotland, and the square-faced bottle was something of a bond between hungry sailors and thirsty colliers. The 'gauger' was, of course, the exciseman (Revenue Agent).

BLOW THE MAN DOWN — Hoisting the yards was often a long heavy job. Accordingly, the halliard shanties were likely to be long rambling songs. Halliard shanties were usually made up of alternate solo and chorus lines. The crew would rest on the rope while the shantyman sang his solo line, then take two good pulls as they bawled the refrain. Blow the Man Down is a classical halliard shanty. It originated in the ships of the Black Ball Line, the pioneer of all modern shipping lines. The shanty is led by Harry Corbett of Liverpool, in true local style.

DO ME AMA — Here is a foc'sle song that has persisted since at least the eighteenth century. It derives its story from the old chapbook tale of The Squire and the Farm Servant. The song has appeared in print a few times, but never in versions as full as that given here. It is still rather widely current among traditional singers in southeast England.

SANTY ANNA — Antonio Lopez de Santa Anna, far from 'gaining the day' as this favorite capstan shanty suggests, was defeated by General Taylor at Buena Vista in February 1847, in one of the decisive battles of the Mexican War. Many British sailors deserted their ships to join Santa Anna's army. Perhaps it was affection for the Mexican sea ports that made the shanty singers reverse the run of history in their song.

THE FLYING CLOUD — The records of the "Guinea Trade" have no place in polite literature and our official historians are remarkably sensitive about referring to it. Nineteenth century street singers, sailors and lumberjacks, however, were more honest and described its horrors in full detail in come-all-ye's like The Flying Cloud. There are no records of a pirate vessel called Flying Cloud, though a famous clipper of the 1850s bore such a name. It remains to this day one of the most dramatic of all pirate ballads.

A HUNDERD YEARS AGO — English and American folklorists fail to agree whether this shanty was first made under the Stars and Stripes or the Red Ensign. It has close associations with the Baltimore clippers, yet John Masefield heard it on British ships in his seafaring days, and the singer who gave it to Cecil Sharp knew it as an English sailors' song. It may be a seaman's remake of a mid-nineteenth century minstrel song called A Long Time Ago. Whatever it is, and whoever evolved it, it made a good nostalgic-sounding shanty for the long pulls on the halliard.

Notes by A. L. Lloyd & Ewan MacColl


THE SINGERS

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A. L. LLOYD: Born in London. Lloyd first took a conscious interest in folk songs as a young sheep-herder and shearing-shed roustabout in New South Wales. Australia. He extended his first-hand acquaintance with songs and their singers while working at sea during the 1930s, particularly in Antarctic whaling ships. Since the War. he has written and broadcast a great deal about folk songs. besides performing them in the concert hall, on radio and television. Recently. John Huston sought him out to play the part of the Shantyman in the film version of Moby Dick.

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EWAN MAcCOLL: The Scots-born son of a Gaelic-speaking mother and Lowland father from whom he inherited more than a hundred songs, MacColl has worked as a garage hand, builders' laborer, organizer, journalist, radio script writer, actor and dramatist. Since the War, MacColl has written and broadcast extensively about folk music. serving as general editor of the British Broadcasting Corporation folk music series, Ballads and Blues. He has several fine folksong publications to his credit, and has previously recorded for STINSON records an album of British industrial folksongs. FOURPENCE A DAY, STINSON SLP #79.

Top Index

Off to Sea Once More: Volume Two & other chanties and foc'sle songs

  • Off to Sea Once More: Volume Two & other chanties and foc'sle songs
    • 1958 - Stinson SLP 81 LP [10"]
    • 1962 - Stinson SLP 81 LP [12"]— Collector's Series

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  • Side One
    1. Blood Red Roses
    2. Van Diemen's Land
    3. The Greenland Whale Fishery
    4. Paddy Doyle
    5. Johnny Todd
    6. Lord Franklin
  • Side Two
    1. Reuben Ranzo
    2. The Cruel Ship's Captain
    3. The Handsome Cabin Boy
    4. Sally Racket
    5. The Dreadnought
    6. Off to Sea Once More
    7. Stormalong

  • Musicians
    • Ewan MacColl: Vocals (Tracks: 2, 4, 5, 9, 11 & 13)
    • A.L. Lloyd: Vocals (Tracks: 1, 3, 4, 6, 7, 8, 10 & 12)
    • … with chorus (Tracks: 1, 7, 10 & 13)
    • Alf Edwards: Concertina (Tracks: 3, 5, 6, 9, 11,12)
  • Credits
    • Edited by Kenneth S. Goldstein
  • Notes:
    • This series of Stinson LPs where pressed on black and red vinyl.

Top Index

Blow the Man Down

  • Blow the Man Down
    • 1963 - Topic TOP98 EP [7"]

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  • Side One
    1. The Black Ball Line
    2. Do Me Ama
  • Side Two
    1. Reuben Ranzo
    2. Blow the Man Down

  • Musicians
    • Ewan MacColl: Vocals (Tracks: 2, 4, 6 & 10)
    • A.L. Lloyd: Vocals (Tracks: 1, 3, 5, 8, 9 & 11)
    • Harry H. Corbett: Vocals (Track: 7)
    • … with chorus (Tracks: 1, 7, 10 & 13)
    • Alf Edwards: Concertina (Tracks: 2)

Sleeve Notes

This record is one of a set of three Topic E.P's which are re-issues of the Sea Shanties formerly listed in the Topic Catalogue as T7 and T8. The reissues are TOP 98, TOP 99 and TOP 100 and notes by A. L. Lloyd about the twelve songs on them are in a booklet inside the sleeve.

These songs have the hardness of teak and the roughness of canvas: Some are work songs — shanties — shaped to help men to haul together on the ropes or shove together on the windlass when working the ship. Others are diversionary songs — forrbitters — sung off-watch. when the men might be gathered round the foc'sle lantern or, in fair weather, up on deck of a tropical evening, maybe, sitting on the bitts or sprawled on the fore-hatch.

The great days of sailor-singing were in the first two-thirds of the 19th century when the really fast sailing ships were evolved. Competition between shipping companies meant that skippers were expected to drive their men to get every possible knot of speed out of their craft. Singing helped the work to go faster. "If the men don't sing right, the ship don't move right". was the axiom, and a good shanty-man was always sure of a job on a clipper.

Roughly. shanties are of three kinds: halliard shanties for hoisting heavy yards; short-drag shanties for taking in slack or hauling on sheets and braces; capstan shanties for such jobs as heaving the anchor and warping in and out of dock. These jobs, and the shanties that accompany them, have their own distinctive rhythms. (though in fact a certain number of shanties might be used indiscriminately for hauling or capstan work). The sea has more than its share of romanticisers, and the view is often expressed that it would be hard to find anything more truly British than a good old sea-shanty. In fact, however. many of our greatest shanties were evolved during the growth of the cotton trade. when the song-idiom of British seamen mingled with that of the Negro stevedores of the cotton ports of the American South, and produced one of the most engaging hybrids in the whole of musical folklore.

A. L. LLOYD.

The sleeve notes are the same on TOP98-TOP100.


  • Notes:
    • The sleeve notes state that they are "a set of three Topic EP's which are re-issues of the Sea Shanties formerly listed in the Topic Catalogue as T7 and T8".
      • The this statement is somewhat inaccurate as "T7" (Row Bullies Row), is a reissue of 10 of 16 tacks from The Singing Sailor - TRL3.
      • Therefore, I am listing the source of these tracks as The Singing Sailor.
    • Additionally, these EPs are credited as "Recorded by Bill Leader" (and the record labels reads "First published 1956").
    • According to Bill, via Mike Butler's Bill Leader discography:
      • "My only input to T7&T8 [and thus TOP98—TOP100 too, ed.] was to supervise the reissue. The recording had been done before I joined Topic, and had been released as two 10" LPs on Stinson in the US."

Top Index

A Hundred Years Ago

  • A Hundred Years Ago
    • 1963 - Topic TOP99 EP [7"]

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  • Side One
    1. Blood Red Roses
    2. The Handsome Cabin Boy
  • Side Two
    1. A Hundred Years Ago
    2. Johnny Todd

  • Musicians
    • Ewan MacColl: Vocals (Tracks: 2, 4, 6 & 10)
    • A.L. Lloyd: Vocals (Tracks: 1, 3, 5, 8, 9 & 11)
    • … with chorus (Tracks: 1, 7, 10 & 13)
    • Alf Edwards: Concertina (Tracks: 2 & 4)

Top Index

The Coast of Peru

  • The Coast of Peru
    • 1963 - Topic TOP100 EP [7"]

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  • Side One
    1. Santy Anna
    2. The Gauger
  • Side Two
    1. The Dreadnought
    2. The Coast of Peru

  • Musicians
    • Ewan MacColl: Vocals (Tracks: 2 & 3)
    • A.L. Lloyd: Vocals (Tracks: 1 & 4)
    • … with chorus (Track: 1)
    • Alf Edwards: Concertina (Tracks: 2 & 3)

Top Index

Chants De Marins 4: Ballades, Complaintes Et Shanties Des Matelots Anglais
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  • Chants De Marins 4: Ballades, Complaintes Et Shanties Des Matelots Anglais
    • 1984 - Le Chasse-Marée SCM 005 LP [x2] (France)

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  • Side One — Chants Des Baleiniers
    1. The Bonny Ship "The Diamond" — A. L. Lloyd
    2. The Greenland Whale Fishery — The Watersons
    3. The Cost Of Peru — A. L. Lloyd
    4. Tom's Gone To Hilo — Bob Davenport
    5. Talcahuano Girls — A. L. Lloyd
    6. The Weary Whaling Grounds — A. L. Lloyd
    7. The "Balanea" — A. L. Lloyd
    8. Off The Sea Once More — A. L. Lloyd
  • Side Two — Chants Des Baleiniers
    1. The Candlelight Fisherman — Bob Roberts
    2. The Handsome Cabin Boy — Ewan MacColl
    3. Drops Of Brandy — Sean McAloon
    4. Cod Banging — Bob Hart
    5. Stormy Weather — Bob Roberts
    6. The Oyster Girl — Harold Covill
    7. Boston Harbour — The Watersons
    8. Step-Dance Yarmouth Breakdown — Percy Brown
    9. Henry Martin — John Wright
    10. Maggie May — Stan Kelly
  • Side Three — Chants Des Longs Courriers
    1. Blood Red Roses — A. L. Lloyd
    2. Blow The Man Down — Harry M. Corbett
    3. Off She Goes — Various
    4. The Black Ball Line — Ewan MacColl
    5. Row Bullies Row — Ian Campbell
    6. Santiana — The Watersons
    7. Shallow Brown — Bernard Wrigley
    8. Strike The Bell — Roy Harris
    9. Reuben Ranzo — A. L. Lloyd
    10. The Dreadnought — Ewan MacColl
    11. Goodbye Fare Thee Well — Lou Killen
  • Side Four — Ballades De La Navy Au Temps De Nelson
    1. Nelson's Victory At Copenhaguen — Martyn Wyndham-Read
    2. Banks Of The Nile — A. L. Lloyd
    3. Gipsy Hornpipe — John Wright
    4. Here's The Tender Coming — Frankie Armstrong
    5. The Seventeen Bright Stars — A. L. Lloyd
    6. Auld Swaara — Aly Bain, Tom Anderson
    7. Brave Wolfe — The Watersons
    8. Nelson's Death — A. L. Lloyd

  • Musicians
    • Daisy Bulwer: Piano (Tracks: 21)
    • Martin Carthy: Mandolin (Tracks: 1,3, 5), Vocals (Tracks: 6)
    • Bobby Campbell: Fiddle (Tracks: 30, 31, 34)
    • Dave Swarbrick: Fiddle (Tracks: 1, 3, 5, 7, 29), Vocals (Tracks: 6)
    • Rey Hall: Melodeon (Tracks: 21)
    • Alistair Anderson: Concertina (Tracks: 30, 31, 34, 37)
    • Lou Killen: Concertina (Tracks: 23)
    • Walter Bulwer: Banjo (Tracks: 21)
    • Alf Edwards: Concertina (Tracks: 1, 3, 5, 7, 8, 10, 28), Vocals (Tracks: 6)
  • Credits
    • Licensed From Topic Records
    • Edited by Michel Colleu
    • Translated by Catherine Perrier, John Wright
  • Track Sources:

Top Index